It’s summer time here on Rock 4 Rookies!!!! You may have finished studying weeks ago but some of us finished last week so it’s time for decompression!!! Summer chill out with Lit, Our Lady Peace, Hopeful Sinner and much more!!!
Posts Tagged ‘maximum’
Rock 4 Rookies Podcast: Episode 25 – Decompression Special
Posted: August 3, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
Tracking the Sound by Jonny Steiner
Posted: July 27, 2008 by Maximum Mike in The Rocking Chair BlogTags: maximum, rock music blog, soundtracks
I have been listening to Hans Zimmer and James Newton Howard’s Score for “The Dark Knight” for about two days now, and I it has been blowing my mind on the same level as the movie. From the spare dark overtones of Batman’s themes, to the rich pastoral melody of Harvey Dent’s music, and on to the droning whine of the violins as the Joker enters, it is truly a wondrous composition. I have been a fan of soundtracks and scores for a long time but this is the first time in a while, well since Danny Elfman’s Spiderman score, that I have truly been moved. When I was a kid growing up in the suburbs of Cleveland Ohio, every Monday night at the dinner table we would listen to “Music of Science Fiction & Fantasy” with Mark on Cleveland state University’s radio station. He would and still does play the classics and modern themes from all across moviedom. Every week I would call in to request something by Danny Elfman, because at the time he was my favorite composer.
Before we delve into some of the best composers and scores we should discuss the genre. Soundtracks are the incidental music that keeps a movie moving along. It keeps pace with the narrative while adding important emotional shading to the story. It is because of that many scores and composers are lost, their compositions serving their purpose, without making a singular impact of its own. At the same time there are Soundtracks, so i ndividual in their appeal, they eclipse the movie itself. One that comes to mind is the soundtrack for the less than moving flick, “Last Action Hero”. Ok the score by Michael Kamen was competent, but the soundtrack was stellar. Featuring tracks by Alice in Chains Anthrax and Megadeth among others, it was a Grunge Rocker’s dream. In many cases the mix-tape Soundtrack becomes iconic in its own right. Like for the Gen X classic “Singles” whose soundtrack was a watershed moment for the Grunge era. I don’t want to focus on those types of soundtracks. Here is a great example. Toto’s (yes the guys that sang Africa) score for David Lynch’s 1984 film “Dune”, a big screen adaptation of the classic Frank Herbet novel. The band was able to wade through the hot mess that was the movie, and create something melodic and futuristic without overshadowing the material.
I tried to look up a list of some of the best soundtracks of all time to include here just for fun, but most of the ones I found were stupid with nary a mention of one of the greatest composers of our time, Vangelis. Born Evangelos Odysseas Papathanassiou (say that ten times fast) in Greece, his most known work is the score for “Chariots of Fire”. I think his gifts are fully realized was the score for Ridley Scott’s epic and my vote for the best movie EVER “Blade Runner”. In this score, Vangelis was able to add to the stark bleak atmosphere or Ridley Scott’s uncompromising view of the future. When he produced the album of the score twelve years later, snips of dialogue were looped in and the music became not only an important detail of a stunning movie, but an iconic piece of Electronic Music in its own right. One standout track is “Memories of Green”, a beautiful Ambient piece in the background of which we can hear the late night sounds of a futuristic city.
One of the greatest moments in the realm of Soundtracks and movies is a famous scene from “The Empire Strikes Back”. Darth Vader, standing on a catwalk on the bridge of his Star Destroyer, whirls around and walks off to the strains of John William’s classic “Imperial March.” The regally dark nature of the melody combined with the stature of Darth Vader is truly one of the great moments in film. The music swirls around in a sing able melody not stealing any of Vader’s power, but working with it. The opposite is true in another famous scene from Star Wars, this time “Episode IV: A New Hope”. Inside the Cantina at Mos Eisley Spaceport, the band plays another memorable melody. What is interesting about that is the fact that when you listen closely the music seems to be little more than a Jazz standard, yet the heavy reliance on the Steel Pan Drum makes it sound strange and alien. The problem is that the scene is so heavy handed musically and visually that for a moment we forget about the story and get lost.
Then there is Danny Elfman. Starting out working on “Back To School” he formed the band Oingo Boingo before going out on his own as a composer. His theme for Tim Burton’s 1989 film Batman is still one of the most recognizable melodies of our time, right up there with Koji Kondo’s theme for Super Mario Brothers. The important aspect of his work is how grand the style is while keeping the melodies tight and manic, sprawling out before us as Spiderman swings through the city. There is a strange quality in his work that lends itself well to the Superhero Movie genre. It is a telling statistic then that he has scored all but two of Tim Burton’s films.
The last composer I want to focus on is my favorite, the late Jerry Goldsmith. Known for his dark and chilling score for the horror film “The Omen” which won him an Oscar, Goldsmith resented having won for a horror movie. His work is soft and flowing preferring to pulse below the action rather than usurp it. His score for 1979’s “Alien”, (hmm another Ridley Scott Film?) is a barren atonal affair, that mimics the setting and feel of the movie perfectly. In my opinion his most inspiring work came from Star Trek V: The Final Frontier, yes a pretty crummy movie, but with a few inspired moments. When Captain Kirk Mr. Spock and Bones the Doctor set out on foot to explore a planet inside of a black hole, Goldsmith’s “A Busy Man” brings us along with its lush themes and ethereal strings. It is a bright spot in an ultimately dismal movie.
Some of the best soundtracks come from video games. I am not talking about current games. I am talking about 8-bit Nintendo themes, that lull you into a relative trance as you sit there for hours playing. The inescapable fact that these themes have become part of our modern melodic lexicon is by the way they have been re-imagined. The Mario theme is the most obvious, but the theme from “The Legend of Zelda” is just as important. There are even bands like “The Minibosses” who play rock versions of Nintendo themes. I personally love the 8-bit sound because of the way that the composers were limited technologically. Despite that they were able to make music that has transcended the games becoming something much greater. It is not the purpose of Soundtracks to do this, but it is important to note when a Score is able to become greater than the sum of its parts. It gets problematic when that comes at the expense of the film or the game. “The Dark Knight” illustrates this perfectly in the way it complements the film, and stands alone as a beautiful piece of music.
Rock 4 Rookies Podcast: Episode 24 – History of Rock pt.3 The 80’s
Posted: July 27, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
History Of Rock: Part 3, The 80’s -> A weird and wild time to be a rocker, Thrash Metal and New Wave began in the same year only to finish off with enormous hair!!! Nothing was the same again!! Be prepared for Bon Jovi, INXS, The Clash, and the Salute you’ve all been begging for!!!!
Rock 4 Rookies Podcast: Episode 23
Posted: July 20, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
Return of the Core!!!! Does that mean its gonna be loud? If you turn up the volume! Is it gonna be crazy? Probably, I am! Is it gonna be heavy? Kind of…. tune in to Soil, Zebrahead, Sevendust, Bryan Adams and salute that will make most of you gag!!!!
Rock 4 Rookies Podcast: Episode 22 – Salute to the Women of Rock
Posted: July 13, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: girl rock, maximum, women
Girl Special? Sort of, but different from last time!!! This week Rock 4 Rookies celebrates the women of rock!!! Get out your nails and get ready to scratch!!! <---- Pretty sexist right? Lacuna Coil, Bratmobile, Go Betty Go and many more high heels and tattoos!!!! Special Thanks to Ananel Jonas!!!
Rock 4 Rookies Podcast: Episode 21 – Co-hosted by -=Jonny=-
Posted: July 6, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
The Dynamic Duo!!! Watch Maximum and Jonny go at it, head to head, guitar to guitar, bringing you the likes of Screaming Trees, 311, Audioslave and a Salute so good, it took both of them to do it!!!!
Rock 4 Rookies Podcast: Episode 20
Posted: June 29, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
BACK IN THE SADDLE: You can’t keep a good man down or great music off the air!!! It’s time time to celebrate all things that rock in life like good friends and of course the upcoming American Independence Day!!
Rock 4 Rookies Podcast: Episode 19 – Prog Special Hosted by -=Jonny=-
Posted: June 22, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
While Michael is away Jonny will play…..Prog. The complexities, the nuances, the bombast, all these combine to make music that is both intelligent emotional and highly entertaining. Featuring, Rush, Emerson Lake and Palmer, King Crimson and many others.
Rock 4 Rookies Podcast: Episode 18 – Thrash Special Hosted by -=Jonny=-
Posted: June 15, 2008 by Maximum Mike in Rock 4 Rookies PodcastTags: maximum
While Michael’s Away Jonny Will Play!!! Two Words, THRASH SHOW!!!!!
Easy Living Easy Listening by Jonny Steiner
Posted: June 8, 2008 by Maximum Mike in The Rocking Chair BlogTags: driving mix, hard rock, jonny steiner, maximum, rock music blog
With summer just beginning, and the prospect of lazy days stretching endlessly in front of us, we need a soundtrack that reflects this relaxed state. All the Rock is great, and as festival season wears on fans will have their fill of Heavy Metal and Rock N Roll. The summer is when everyone is on tour; when you find yourself worn out from mosh-pits and headbanging, I will provide some musical suggestions and guidelines to get you through some of the main summer events. I remember a few years ago going to the Warped Tour with my friends. I am not a big Punk fan, but I do appreciate bits and pieces here and there. I was going to see 311 only to find that they were not performing in Cleveland, which really upset me. Bad Religion and the Vandals were there though so that was cool. It was hot and water, as you can imagine, was grossly overpriced and people were just using sinks in the bathroom to fill whatever receptacles they had. One of the funniest moments of the day came when Pennywise finished their set. Rollins Band, a Hardcore Punk act fronted by the always entertaining Henry Rollins, was slated to go on next. All my friends wisely informed me that I needed to get out of the mosh pit because Rollins Band fans were a bunch of fatigue/army boot wearing lunatics. The band went up, the militia went wild and we watched from the stands, only to realize that our boy Josh was still in the fray. When we finally found him he had been stomped pretty bad, but was feeling good. It was on the ride home that we truly appreciated the come down from the day’s overwhelming Punk faire by listening to some good old Motown.
One of the main events in the summer schedule is the barbeque. Usually spent with family or friends the music serves more as a background to the conversations and general hanging out. This is not to say that music is not an essential piece of the barbeque atmosphere. It is a standard blend of Funk music and Classic Rock, that when mixed with a sprinkle of Bob Marley sets the tone perfectly. The main reason is that these tunes are familiar enough that people can just digest them with ease as the party wears on. If mixed well, however, your party can have an interesting dynamic. Sure everyone loves the Beatles (at least they should), but if you place “Twist and Shout” appropriately within the mix of songs people will get out of their seats and start grooving to the music. The barbeque is about familiarity and friendship, and so the music should create an atmosphere to reflect that.
Another of Summers’ pleasures is the trip to the beach, and the time spent alone with your headphones, reading or catching some rays. My favorite music for this time is anything with a lush dreamy sound. Certainly any music with a beautiful flow that mirrors the ebb and flow of the tide sets the mood. However, when on the beach there is time to enjoy an album to its fullest, and not rush through your music shuffling at will. One wonderful album is “Beach Samba” by Astrud Gilberto. A smooth-voiced Jazz singer from Brazil, Astrud’s sound is soft Bossa Nova that drifts almost to Pop. Bossa Nova is a Brazilian style of music that combines Latin beats with Jazz sounds, and was very popular in the 60s. The true gem of this recording is the lush relaxed music orchestrated artfully by Ron Carter (Bass for Herbie Hancock, Miles Davis, Thelonious Monk, among others) and Toots Thielemans (guitar and harmonica). Another band, Everything But the Girl, got their start as a Jazz/Pop act only to find success in the thin line between Pop and Techno. Their 1996 release “Walking Wounded” took the themes of Trip-Hop, and other styles of experimental Electronica, and placed them in a tight concise Pop framework. (Trip-Hop was a name given to a style of Electronic music that incorporates down-tempo beats with Soul and Funk sounds.) Though more than a decade old, the music still sounds fresh and bright, and the beats provide a perfect kick for the beach. For my final summer beach album, I recommend a lovely album by the British singer/songwriter Rachel Goswell. Her debut “Waves are Universal” is a laid back British Folk album that contains elements of Alternative and Country.
The final event we will be touching on is the ever present road trip. When driving with friends the similar rules as the barbeque apply, although the musical choice is the driver’s prerogative. Just don’t try to give a serious listen to anything with people in the car. It is when alone that the road trip takes on a personal quality that is perfect for a more challenging listen. I have made the solo trip from my hometown Cleveland (Ohio) to New York many times when I was in University. Each time I would stock up on music that would get me through the almost 8 hour drive. A classic album all around, “Ritual de lo Habitual” by Jane’s Addiction starts at a fevered pitch with “Stop!”. From there the album builds in energy until the ten minute epic “Three Days”, a sort of Alternative nod to Led Zeppelin’s “No Quarter”. In following Hard Rock’s Heavy Metal conclusion, Iced Earth’s “The Dark Saga” is a concept album loosely based on Todd MacFarlaine’s famous comic book “Spawn.” The tempo is a bit slower than usual but the band is as heavy as ever, banging out amazing tracks like “The Hunter” and “I Died for You.” Finally, a stunning listen from start to finish and a perfect soundtrack for the road is “In Absentia” by The Porcupine Tree. Led by Steven Wilson, who is well known for his Blackfield project with Aviv Gefen, The Porcupine Tree is a Progressive Rock group from the U.K. The album is one of the most accessible of their career and still spans the musical gamut, from Heavy Metal, to Pop, to dreamy cuts that are almost indefinable. All around, this album keeps the listener interested with its wide range which makes it perfect for the often unchanging, steady drone of the U.S. Highway system.
Most people who know me know that I am a huge fan of Electronic Music in all its forms. There are many albums by myriad acts that fit excellently into these categories, but I try my best to keep column this as Rock oriented as I can. Michael once remarked that he thought it was funny how I always manage a few Electronic references each week. I cannot help but support that which I am passionate about, and as the summer heat bears down upon me my emotions begin to ignite. I hope that my musical choices can help you do the same.
What I am listening to: Aaliyah – Self Titled
Produced by Timbaland before his handiwork was seen on every production in the land, Aaliyah’s best album was also her swan song. It is a terrific blend of R&B and Soul that showed Aaliyah maturing into a more adult artist before her life was tragically cut short.